RBML's Exhibitions & Programs
Our exhibition galleries are open to Columbia affiliates and external visitors. Our Online Exhibitions are always available to all.
The RBML offers a robust and diverse series of public programs, including lectures, panel discussions, performances and conferences, that highlight collections and particular fields of inquiry. Guests may include living creators (artists, writers, etc.), collectors, and scholars who make use of our collections. The Book History Colloquium aims to provide a broad outlet for the scholarly discussion of book history, print culture, the book arts, and bibliographical research, and (ideally) the promotion of research and publication in these fields. Please note that while our events are free and open to the public they do require registration in advance.
External Exhibition Loans
The Rare Book & Manuscript Library has an active exhibition loan program and we are pleased to regularly work with domestic and international institutions to facilitate loans. The minimum lead time for domestic loans is one year, and may be longer for international venues or loans of more than 10 objects. Borrowers must provide museum-standard facility reports and proof of insurance, and are responsible for all costs related to the loan, including (but not limited to): loan fees; object conservation; imaging; matting, framing, object mounts; packing, crating, transportation; and courier expenses.
Potential borrowers should examine the Columbia University Libraries Guildelines for Borrowing Materials for Exhibitions. General loan questions and requests should be submitted to the RBML Director, Courtney Chartier, firstname.lastname@example.org.
The exhibit features prayer books, communal and legislative documents, and ketubbot. Among the stories featured include an international dispute regarding the acceptability of the Romaniote Jews’ musical rendition of the Shema prayer; varied legislation about the Corfu Jews’ requirement to wear the yellow badge (as had been mandated in Venice); prayers for varied holidays, penance, a property dispute, a synagogue theft; and documents relating Jewish doctors and education in Corfu. The exhibition, featuring materials from Columbia University Libraries at both Columbia (noted with "CUL") and the Jewish Theological Seminary (noted with "JTS"), will bring more attention to this unique and understudied community.
This exhibition explores the long, shared history of literature and computation through the Columbia Library’s holdings. We present texts that participate in early debates about whether writing was a skill to be honed or a gift to be appreciated and whether the skills of writing could be learned and even made into repeatable algorithms. Is writing like any other craft that can be learned and taught? Following a timeline from circa 1890–1970, this exhibition explores professional manuals, devices, and techniques that promised to make writing easier—and even to automate it. The Literary History of AI showcases examples of algorithmic composition, such as prose and poetry written by machines, alongside literature written with the aid of algorithmic and combinatorial devices. This exhibition broadly tracks two broad stories related to the literary history of AI: production and analysis.
In Service to the New Nation: The Life & Legacy of John Jay
As part of the broader events celebrating the near completion of the seven volumes of The Selected Papers of John Jay publication project based at Columbia University, this exhibit aims to shed light on the different aspects of Jay's personal, familial, and public life and discuss his many civic accomplishments in shaping America's governance, diplomacy, and judiciary. In Service to the New Nation: The Life & Legacy of John Jay draws on the correspondence, public papers, printed items, portraits, and drawings located in the various collections and libraries at Columbia University. The items presented include such varied materials as the transcribed Laws of King’s College, Jay's draft of The Federalist 5, period sheet music of Governor Jay's March, and a chart of New York City's harbor defences. Unless otherwise noted, the materials presented herein are taken from the John Jay Papers, 1668-1862 Collection and Columbia's Rare Book & Manuscript Library.
Arthur Mitchell: Harlem’s Ballet Trailblazer
This exhibition celebrates the extraordinary career and legacy of the New York City Ballet’s first African-American star and the founder and longtime director of the Dance Theatre of Harlem. This website, created in tandem with the exhibition Arthur Mitchell: Harlem’s Ballet Trailblazer, on display at the Wallach Art Gallery from January 12 to March 11, 2018, highlights material from the Arthur Mitchell Collection, Rare Book & Manuscript Library, Columbia University. It also includes commissioned essays, timelines, links to publicly available sources, and other resources in addition to material from the physical exhibition. Please share this website with friends, students, and colleagues, using it to explore the rich histories behind Arthur Mitchell’s career and the Dance Theatre of Harlem, which celebrates its fiftieth anniversary in 2019, and encourage new scholarship about African Americans and ballet.